We all know the writing motto: show, don’t tell.
But don’t we all get overwhelmed when we think we need to show everything? Are there certain categories of showing emotion or a character’s feeling towards something versus telling? Well, you can answer those questions because we’re going to share a quoted post. The original author is MIA but we do want you all to know – it wasn’t our idea. We’re simply adding a bit of input!
How to write ‘they blushed’ without writing ‘they blushed’:
- They took a step backwards.
- They shifted their weight from one side to the other.
- They hid their face in their hands.
- They shifted their glance to something else in the room, all around the room for that matter.
- Their eyes widened.
- They crossed their arms.
- They leaned into themselves.
- They scratched the back of their head.
- Utilize hand motions. When people are nervous or embarrassed, they tend to use their hands to declare their frustration.
- Quirks! Each character should have their own quirks even before you begin writing. It’s their go-to and displays some of their negative traits sometimes.
Here in the office, we live and breathe romance. It’s not our only focus but it’s one of the more popular ones we work with. And romance is woven into most, if not all, stories in some way, shape, or form.
Today, we want to highlight some tropes in romance. Some common, some not.
Do you have a favorite trope?
One character has wronged another. This can include wronging not just another character but something else (ex. a group of individuals, a law, etc.) This character must redeem themselves in the story…or try to. Will it succeed? That’s up to you, the writer!
- Forbidden Love
Obstacles such as culture, family, social class or friendships keep the pairing apart. But nothing ever does keep two true lovers apart! The real question becomes: does it end on a good note? Do we smell an HEA or a tear-jerker?
A near-tragic event forces one character to forget their past and who they are. Don’t forget to research the type of head injury and amnesia you want your character to cope with to avoid generalizing your story. The story itself revolves around how they move forward and adapt to their “new” life. Will they remember who they were? Or…not?
- Secret/Lost Heir
One of the two main characters is heir to a fortune. If they know about it or not is entirely up to you.
Someone is an orphan. The situation matters, too. Did they grow up in the foster system? Or did the parents pass and distant family take them in? It all affects the story and how it unfolds!