One way to help with writer’s block is to observe and write. This exercise can help beat the slump in your own story by examining and writing a paragraph or two about something going on around you. It can also help to reflect a natural flow of events in a narrator’s point of view if you’re stuck. If want to give observational writing a try, follow along with us to learn about how to execute this way of writing effectively.
First, pick your topic. Whether it is something you’re comfortable with or if you want to challenge yourself, pick a destination where you can travel to and sit with your notebook in hand. Your goal is to watch and write. The world has so much to offer your writing abilities.
Second thing to keep in mind is choosing your writing tense. The most common way to write an observation is through the present tense. The present tense makes it easier to keep up with the flow of events as they happen. You may not be able to catch every word someone says in conversation but you may be able to see their mannerisms in conjunction with being alone, interacting with familiar faces, or meeting new people.
The third and more obvious tactic while observing is keeping an eye on crucial details. Every writer knows detail can be your best friend and worst enemy all at the same time. In observational writing, it will be your best friend. Without detail being described in the moment you are watching your future reader won’t be compelled to sit down with you. They’ll feel like that person walking by a window to a store, peering in quickly but still passing by; they won’t see the details you’ve managed to capture because you didn’t take their hand and lead the way into your point of view.
Going off of the details aspect, a fourth idea to keep in mind while writing should be utilizing your senses. We mentioned the importance of details but incorporating your five senses may entice the reader to feel like they’re sitting right there with you even more.
The fifth and last on our list (but certainly not the least) is bringing back some old high school creative writing techniques: comparative techniques. Comparisons, simile,s and metaphors are just some ways to mirror and describe the events unfolding before you. This helps more types of readers become involved in your writing. It definitely does not hurt to revisit your old creative writing class from high school or college to refresh your brain a bit. Hm, that sounds like a future ‘Back to the Basics’ post!
Are you new to writing a mystery novel? Well, here’s your friendly reminder: use your red herring. A red herring is not only a dried smoke herring (that isn’t naturally red) but is a term that describes a mystery novel’s best friend: a distraction to the reader. By building a strong red herring in your story, the more believable the distraction will be. Your reader will be shocked when the real culprit is revealed.
“You’ve managed to squeeze more lofty words into three shorts poems than most poets manage in a lifetime: ‘Fatherland,’ ‘truth,’ ‘freedom,’ ‘justice’: such words don’t come cheap. Real blood flows in them, which can’t be counterfeited with ink.”
Laurie Halse Anderson:
“Write about the emotions you fear the most.”