♥ Ava Mason ♥
♥ Michael Chatfield & Dawn Chapman ♥
♥ J.R. Rasmussen ♥
♥ Kathryn Andrews ♥
♥ Kip Terrington ♥
♥ Shannon Esposito ♥
♥ Ahren Sanders ♥
There. We said it.
We thought it was about time it was said.
You can scroll through the blogs, the forums, the advice columns…but always remember, you’re different than the person posting online. Your creative experience and beyond is your experience alone. Two people will not share the exact process…similarities, sure, but not replicated.
So, take any writing or publishing experience stories as a grain of salt in the big pot of publishing stew!
We know, we know…it’s not our last post of the year, but it’s close to it! We figured it would be good for anyone looking into getting published to get the heads up: the results are in, publishing trends are here.
Before we get started though, we want to direct you to the source in which the general info comes from. Opinions and advice are ours! But check out this blog/publishing service.
Let’s get right into it!
We vote a big fat NO. Reason being, we see the decline in reading as a way to push writers to treat their work with care (and to get into e-Pubbing, but we’ll discuss in a second.) Getting all the pre-publication shenanigans out of the way is something so many people don’t truly pay attention to – so maybe, it’s time we give our precious work some TLC and hire a few people to take a look at what we’ve got.
We talk about marketing a lot on this blog. It’s an important part of being a writer/author who wants exposure. If you’re interested in keeping up with a variety of marketing tactics, just use the search bar for this blog and we guarantee you’ll come across something.
Happy Holidays, everybody!
Our office has been celebrating the upcoming release by our author, Mike Omer, published by Thomas & Mercer. A release that has been top of the charts for the last couple of weeks! A Killer’s Mind will be available for purchase on August 1st, 2018. Pre-order it today!
Three Chicago women have been found strangled, embalmed, and posed as if still alive. Doubting the findings of the local PD’s profiler, The FBI calls on forensic psychologist Zoe Bentley to investigate.
Zoe quickly gets off on the wrong foot with her new partner, Special Agent Tatum Gray. Zoe’s a hunter, intense and focused; Tatum’s a smug maverick with little respect for the rules. Together, they must descend into a serial killer’s psyche and untangle his twisted fantasies, or more women will die. But when the contents of three inconspicuous envelopes reveal a chilling connection to gruesome murders from Zoe’s childhood, suddenly the hunter becomes the hunted.
A little late to the BookExpo train, but we’re here to update you all on one of the most important parts of our day.
In our opinion, the best panel we attended was the impromptu one. Long story short, the panelists who were supposed to be in attendance and speak got stuck somewhere else and two agents took over halfway through the wait.
One of the most talked about points of the conversation was about metadata. In book publishing, metadata was stressed so much and we’re here to help you understand why.
What is metadata? … I asked myself the same thing. I knew it had something to do with the discovery of online destinations, but I didn’t know the breakdown. Book metadata, specifically, consists of the details that help the exposure of your novel on the internet. But what does it consist of? Let’s talk about that.
Before the publication of your novel, you should consider opening up another document and writing out three basic points:
Do you see the common trend? I do. Keywords.
Keywords will become your best friend and your book’s best friend. But stay away from the generic words and “less important” ones. Your work could easily get lost or misplaced on the internet. Double check those words on a search engine to see what comes up. If it is similar to your work, then you hit the jackpot.
Your list should be narrowed down to 10 – 20 words. You’ll be able to use this same tactic for the book description and author bio to reach a max audience.
To continue to thrive in the market, revisit this and re-brand yourself every so often. When you do this, you’re re-entering the market to a new wave of potential readers and fans.
No worries, this will be us for the rest of audiobook month. Hopefully you’ll join us!
This May, we would like to introduce these newest audio additions to our (and your) library:
Ahoy mateys! It is I, Captain of the HRM ship, here to tell you: PIRACY. IS. NOT. OKAY.
We’ve been seeing complaints online and receiving alerts from our own authors about “piraters” uploading whole e-books and audiobooks onto various platforms across the web, which is both frustrating and saddening. No one wants to see their work uploaded onto book platforms like iBooks or Google Play Books without their approval, especially if it is being sold for even the smallest amount of money. But most pirated material is put out for consumption for free, that’s even more of a reason to freak out as an author. People downloading their books for free when they depend on this money to support themselves and their families (not to mention all the hard work and long hours they put into it)?! This is blasphemy!
Yeah, okay, a lot of people try to reason out the pros and cons of piracy across all platforms…but at the end of the day…someone is making dirty money. Take a bath, why don’t you?
The theory goes that if it is free, shouldn’t you be happy that the book is at least getting some exposure? And if someone reads your book, becomes a fan, and wants to support your writing career, they’ll start to contribute to your newer titles…I suppose that is a good thing? At the end of the day though, it’s just not the life for me.
Is it worth putting up a fight to save your titles? In my opinion: Yes. It. Is. There is this incredibly detailed article talking about the steps to taking down a pirated book. Read it if the pirate market is bothering you to the Nth degree, it certainly has been here at HRM recently.
Since most of our agency’s authors have audiobooks through a publisher, it’s important to know that audiobook piracy happens as well. We have been finding full books up on YouTube and iBooks (make sure to check the podcast section as well, many free audiobooks end up there). Each publisher has their own process for getting these audiobooks taken down. They use sites such as DMCA, Digimarc, and MarkMonitor. It also doesn’t hurt for you to send a Takedown Notice to the website you found your pirated audiobooks on either. We could use all the resistance we can get.
Protect the booty!
Oh yes, we are briefly discussing the writer’s worst nightmare: the slush pile. If you’re new to the writing world and haven’t heard about the slush pile, it’s essentially the place where unsolicited query letters/manuscripts go to be read by assistants-to-the-editor.
Many will say a writer doesn’t want to end up in the slush pile, and there’s more truth to that than fiction. Once in that pile, one will never actually know if their manuscript ever made it onto the editor’s desk. But maybe, just maybe, there’s a world out there where the slush pile could potentially become a good thing. For example, an open slush pile.
The idea of an open slush pile may scare some, but if used correctly it can begin your journey as the writer-turned-published-author. The traditional slush pile is private to the publisher or agent the manuscript has ended up with, but the open slush pile exposes work everywhere. The downfall is, the work won’t be private anymore; anyone can access it, read it, and comment on it. If this is not the road you, as the writer, want to travel down, here are a few ideas to entice people, editors, and agents to read your writing and make use of the open slush pile:
So maybe sitting in the slush pile in the editor’s storage unit (come on, we know there’s a lot and you need a place to put them) isn’t the ideal place to be, but there are other ways to use the wonderful resource of the internet and to make the best of being in the slush pile.